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View attachment 230537Came across this in my loft … I have no idea if it’s worth anything .. it’s signed (no COA) and I have no idea who ABMFC are… my dad got it me from the Rose and Crown Eckington and I seem to recall ABMFC may have been a football team set up in the memory of someone but I could be wrong
Full of northern stereotypesBrilliant bit of memorabilia.
Shame about the film, like.
Could it be Allerton Bywater Miners FC?View attachment 230537Came across this in my loft … I have no idea if it’s worth anything .. it’s signed (no COA) and I have no idea who ABMFC are… my dad got it me from the Rose and Crown Eckington and I seem to recall ABMFC may have been a football team set up in the memory of someone but I could be wrong

Full of northern stereotypes![]()
Kin ell mate, be careful it might be valuable..... use tissues next time!View attachment 230537Came across this in my loft … I have no idea if it’s worth anything .. it’s signed (no COA) and I have no idea who ABMFC are… my dad got it me from the Rose and Crown Eckington and I seem to recall ABMFC may have been a football team set up in the memory of someone but I could be wrong
Could have been worse, could have done the film set in Liverpool or Birmingham.Full of northern stereotypes![]()
My memory of being on the Kop at halftime was that we all jumped up and cheered as each penalty was taken, but they were all misses. By the time he scored one, we had all lost interest. I assume creative editing was applied to the scene. I have never bothered watching the film…yetI was in the Kop that night as well. It was the night Cantona kneed Charlie Hartfield in the balls and Charlie got sent off for pushing him away. I think that was just before half time and film makers had a job trying to get a pissed-off Kop to show enthusiasm for any of Sean Bean's 20 penalties.
Of course that prick Cantona went on to score a screamer into the Kop 2nd half.
I was in the Kop that night as well. It was the night Cantona kneed Charlie Hartfield in the balls and Charlie got sent off for pushing him away. I think that was just before half time and film makers had a job trying to get a pissed-off Kop to show enthusiasm for any of Sean Bean's 20 penalties.
Of course that prick Cantona went on to score a screamer into the Kop 2nd half.
My memory of being on the Kop at halftime was that we all jumped up and cheered as each penalty was taken, but they were all misses. By the time he scored one, we had all lost interest. I assume creative editing was applied to the scene. I have never bothered watching the film…yet![]()
I was at the Man Utd game when they did the filming I think it was the penalty Sean Bean takes and a few other bits. They did the filming at half time. Also the day when they invited fans to come to BL and do more filming there was about few hundred and we had to keep moving seats and filming different parts of the ground to make it look full. At work my mates missus worked for the Jeweller who supplied the rings they used and both Sean Bean and Emily Lloyd were there for the fitting.
Note the "working title" is different.
View attachment 230538
£50 f***ing quid on a horse called No Chance you daft bastardDon’t listen to the naysayers..WSC is a classic.![]()
Tails never fails.
Strangely I was in the away (Man U) end when they filmed as I joined family from Manchester and they had a spare ticket… they enjoyed Cantona that day.
Anyway… I love When Saturday Comes. It has a few flaws () but I think we should celebrate that we are one of the few clubs to be featured in the fictional cinematic pantheon. Leeds and to a lesser extent Derby have the brilliant The Damned United, Man U have Looking for Eric and United. Then it goes downhill… Man City have There’s Only One Jimmy Grimble, Arsenal have The Arsenal Stadium Mystery and Fever Pitch (great book but terrible film)… and IIRC one of those awful Goal films the player was at Newcastle for a bit (I don’t claim to have got them all but nothing else jumps to mind). If it was a league I think WSC would be up there!
The film was also ahead of its time in its deconstruction of traditional masculinity (including the stripper scene), and interestingly it was directed by Maria Giese who went on to be a key figure in feminist activism, and instigated the ACLU investigations into how women were treated in Hollywood. She appears in this very good 2018 documentary about sexism in the industry:
Any film that has the ghost of a dead miner inspiring the Blades to get to the FA Cup final is oreyt by me!
"Goal" is just when Saturday comes but abart Newcastle the storyline is so similar
Tried to do a bit of digging on this but can't really find anything for sure.View attachment 230537Came across this in my loft … I have no idea if it’s worth anything .. it’s signed (no COA) and I have no idea who ABMFC are… my dad got it me from the Rose and Crown Eckington and I seem to recall ABMFC may have been a football team set up in the memory of someone but I could be wrong
One of the big problems with films set in Sheffield is that everyone bolts on the generic 'Eeeeeh, bah-gum, eckers like, 'appen it might rain, our Mabel!" accent.
They also fail to clock that a northern Sheffield dialect is similar to a southern Sheffield dialect, but not the same.
Most actors think a Manc accent might do (and you can see they've been watching the Gallaghers and Corrie for references) or its a N Yorks 'Last of the Summer Wine' Compo and Clegg, 'I'll just get me whippets and me wellies' silliness. You listen to a news report from Sheffield ... switch on half way through and listen to who they are interviewing. The flattening of vowels and intonation, the way they say 'Manor' in the way of 'Mannoh' and the way we Sheffielders use the glottal t' and glue it into the next word is unique and instantly recognisable. You can spot the fakers when they come out with 'I'm goin' to tut-match'. The dialogue coaches are to blame.
It's taken me a long, long time to teach my wife how to say 'reyt laff' and how to say 'Shefyuldwensdeyzfukkditupagen!'
I agree about the accents.One of the big problems with films set in Sheffield is that everyone bolts on the generic 'Eeeeeh, bah-gum, eckers like, 'appen it might rain, our Mabel!" accent.
They also fail to clock that a northern Sheffield dialect is similar to a southern Sheffield dialect, but not the same.
Most actors think a Manc accent might do (and you can see they've been watching the Gallaghers and Corrie for references) or its a N Yorks 'Last of the Summer Wine' Compo and Clegg, 'I'll just get me whippets and me wellies' silliness. You listen to a news report from Sheffield ... switch on half way through and listen to who they are interviewing. The flattening of vowels and intonation, the way they say 'Manor' in the way of 'Mannoh' and the way we Sheffielders use the glottal t' and glue it into the next word is unique and instantly recognisable. You can spot the fakers when they come out with 'I'm goin' to tut-match'. The dialogue coaches are to blame.
It's taken me a long, long time to teach my wife how to say 'reyt laff' and how to say 'Shefyuldwensdeyzfukkditupagen!'
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